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  1. PHOTO
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  3. Mirrorless Cameras
  4. 25 Megapixel
Panasonic
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Panasonic GH7 Micro Four Thirds Mirrorless Camera (Body Only Outfit)

MFR# DCGH7BODY
Expected July 08, 2024
Hunt's Guarantee
$2,199.99
Quantity
Starter Bundle 1 Package
GH7 Micro Four Thirds Mirrorless Camera (Body Only Outfit)

256GB CFExpress Type B G4 Card & Reader Bundle

Summary of Special Savings

Bundles are only available online!
Regular Price $2,389.97
Savings $40.00
Bundle Price $2,349.97
Extra Savings Bundle 2 Package
GH7 Micro Four Thirds Mirrorless Camera (Body Only Outfit)

Promaster Li-Ion Battery for Panasonic DMW-BLK22

Summary of Special Savings

Bundles are only available online!
Regular Price $2,249.94
Savings $20.00
Bundle Price $2,229.94
Special Value Bundle 3 Package
GH7 Micro Four Thirds Mirrorless Camera (Body Only Outfit)

Promaster Li-Ion Battery for Panasonic DMW-BLK22

256GB CFExpress Type B G4 Card & Reader Bundle

Summary of Special Savings

Bundles are only available online!
Regular Price $2,439.92
Savings $70.00
Bundle Price $2,369.92

Highlights

  • 25mp BSI Sensor Dynamic Range boost – 13+ Stops of dynamic range
  • Phase Hybrid AF 779 – Human, Animal, Car, Motorcycle, Train, Airplane detection
  • Active IS – 7.5 Stops 5 Axis Stabilization
  • 32Bit Float Audio with DMW-XLR2
  • Open gate recording
  • Proxy Recording
  • Frame IO – Adobe Camera to Cloud
  • Real Time LUT – Up to 49 LUT's
  • New LUMX Lab App

The LUMIX GH7 allows you to experience dramatic enhancements in the speed and quality of video production, and more. A wide dynamic range with a 25.2M BSI CMOS sensor and improved AF performance with Phase Detection Autofocus that added Real-time Recognition AF for Human/Animal/Car/Motorcycle/Train/Airplane. Create the efficient workflow required in professional production environments with the addition of internal recording of Apple ProRes RAW and 32-bit float recording, which does not require adjustment of the sound recording level during shooting. Now compatible with Adobe Cloud to upload still images and proxy videos directly to the Frame.io platform; REAL TIME LUT lets you apply new color expressions. Shoot in all aspect ratios at once via Open Gate for seamless compatibility with all social media.

Features

  • The Iconic Pro Camera, with Up-to-the-Minute Improvements: now newly equipped with Apple ProRes RAW* internal recording and a World's first 32-bit float recording**. Experience dramatic enhancements in the speed and quality of video production, and more.

  • High Depiction Performance and Fast Response: 25.2M BSI CMOS sensor, with 13+ stop dynamic range boost with rich gradation, for incredibly vibrant, detailed photos and videos.

  • From Shooting to Post-Production, Seamlessly: No need to adjust audio recording levels during shooting, with 32-bit float recording using a DMW-XLR2 adaptor, and internal recording of 5.7K 30p Apple ProRes 422 HQ and Apple ProRes RAW HQ*.

  • Adobe Cloud Compatible: Upload still images and proxy videos directly to the Frame.io platform.

  • One Shot for All Social Media Platforms: Shoot in all aspect ratios via Open Gate, for superior resolution and heightened detail.

Additional Features

  • Artistic Photos and Videos Straight Out of Camera: Use REAL TIME LUT to load original LUT files and apply new color expressions to both videos and photos.

  • Unlimited Video Recording: Experience seamless, uninterrupted shooting; GH7 has a cooling fan for efficient heat dissipation structure and processing

  • High-speed and High-Precision AF performance: Phase Detection Autofocus recognizes, Identifies, and enables you to focus on a wide range of subjects, with newly added real-time recognition of airplanes and trains

  • Night Shots, Zoomed Shots, Walking Shots - All Blurless: Improved image stabilization technology, including perspective distortion correction for videos and High mode in Active I.S. (Dual I.S. 2/B.I.S./E.I.S.)

ProRes RAW HQ Internal Recording

5.7K 30p ProRes RAW HQ footage can be recorded on the camera body itself, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices. Improved gimbal compatibility also expands the range of expressions.

*Recording is not possible on the SD card.

Outstanding Reliability

No need to stop shooting due to overheating. The GH7's compact body and heat dissipation structure enable extended recording even when shooting at heavy loads (4:2:2 10-bit C4K/4K 60p/50p, ProRes RAW HQ).

ARRI LogC3 Recording

By using DMW-SFU3A Software Upgrade Key (sold separately), users can use the ARRI LogC3*, which enables color matching with ARRI's digital cinema cameras. The image processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and a wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX's workflow compatibility.

*ARRI LogC3 is a Log gamma developed by ARRI and used in ARRI digital cinema cameras. Please note: ALEXA 35 uses ARRI LogC4.
*On the LUMIX GH7, ARRI LogC3 can be used for 10bit recording in Creative Video mode.
･ARRI is registered trademarks of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.

Phase Hybrid AF

The most important thing with autofocus is to be dependable. In addition to contrast AF, the LUMIX GH7 offers the Phase Detection AF system, which dramatically improves subject tracking performance and metering technologies. The camera can capture the subject even in challenging scenes in which multiple subjects are involved, delivering accuracy even in backlit or low-light environments.

Real-time Recognition

The LUMIX's advanced detection AF pushes the envelope on sports, wildlife, and car/motorcycle photography. The LUMIX GH7 can now recognize a wider range of subjects and target parts, including human and animal eyes, the front of vehicles, the helmets of drivers and motorcyclists, the first car of a train, and the nose of an airplane.

Richer Tonal Expression

Dynamic Range Boost function acquires two types of images with a single exposure and synthesizes them in real time to create composite images with rich tonal range even in scenes with significant luminance differences. With still images, it allows for richer expression of shadow tones in RAW data. With video, it enables 13+-stop V-Log/V-Gamut recording.

Real-time LUT

LUTs can be applied to photos and videos on the camera body itself, allowing you to create photos and videos straight out of the camera. Supports ".VLT" and ".CUBE" file formats. By utilizing this feature, you can save time on the complicated post-editing process. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera.

LUMIX Lab App

GH7's ultra-fast Wi-Fi connection lets you pair the camera with your smartphone in three steps and transfer content seamlessly. You can also crop, adjust brightness, and apply LUTs, enabling simple editing for any social media platform to be done in a snap.

Native Camera-to-Cloud integration with Adobe's Frame.io

With Frame.io Camera to Cloud, creator's images and videos are automatically uploaded, backed up, shared, and worked on jointly via the cloud.

Live Streaming

Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available.

Unlimited Video Recording Time

Offering 4:2:2 10-bit C4K/4K 60p/50p internal recording, the LUMIX GH7 delivers unlimited recording time when used at the recommended operating temperature (-10°F–104°F).

Ideal for small production teams and in demanding conditions where mobility and high-quality are a must. Also allows for simultaneous internal recording and external recording via HDMI output.

*CFexpress card or an SD memory card with Video Speed Class 90 is required.

DC-GH7 Specifications

TYPE

Type

Digital Single Lens Mirrorless camera

Lens mount

Micro Four Thirds mount

IMAGE SENSOR

Type

BSI CMOS sensor (17.3 x 13.0 mm)

Camera effective pixels / Total pixels

Approx. 25.2 megapixels / Approx. 26.5 megapixels

AR (Anti Reflection) coating

Yes

Aspect ratio / Color filter

4:3 / Primary color filter

Dust reduction system

Image sensor shift type

LATITUDE

13+ stops (V-Log) (Sensor output is 60fps or less)

12+ stops (V-Log) (Sensor output is 61fps or higher)

STILL IMAGE

Recording file format

JPEG (DCF, Exif 3.0), RAW

Aspect ratio

4:3 / 3:2 / 16:9 / 1:1

File size (Pixels)

4:3

5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 1920 x 1440(XS) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode.

3:2

5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 1920x1280(XS) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode.

16:9

5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 1920x1080(XS) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode.

1:1

4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 1440x1440(XS) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode.

Image quality

RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)

Color space

sRGB, AdobeRGB

MOTION PICTURE

Recording file format

MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW

MP4: H.264/MPEG-4 AVC, H.265/HEVC

Audio format

4ch Audio Recording: OFF

MOV

Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)

Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)

*When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).

MP4

Linear format: AAC (2ch stereo 48kHz/16-bit)

4ch Audio Recording: XLR*

MOV

Linear format: LPCM (4ch monaural 48kHz/24-bit)

Float format: LPCM (4ch monaural 48kHz/32-bit)

*When attaching DMW-XLR2 (sold separately).

4ch Audio Recording: XLR*+Camera

MOV

Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)

*When attaching DMW-XLR2 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

System frequency

59.94Hz / 50.00Hz / 24.00Hz

Image area of video

FULL / PIXEL/PIXEL

Log recording

V-Log

Proxy

ON / OFF

Proxy Rec Quality: H / M / L

Real Time LUT (Proxy): ON / OFF

*When the following functions are being used, proxy recording is not available: [MP4], [Rec Quality] exceeding a resolution of C4K, [Rec Quality] with [4:3] or [3:2] aspect ratio, [Rec Quality] with a high frame rate video, [HDMI RAW Data Output], and [Streaming].

MOV (*1) (*2) (*3)

59.94Hz

[5.8K] 5760x4320 (4:3)

29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[5.7K] 5728x3024 (17:9)

59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[4.4K] 4352x3264 (4:3)

59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to PIXEL/PIXEL during this recording mode.

[C4K] 4096x2160

[4K] 3840x2160

119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**

59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

59.94p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*

59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)

47.95p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)

47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

**An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

[FHD] 1920x1080

239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***

239.76p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***

239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***

119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***

119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***

119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***

59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

59.94p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)

59.94i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)

47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

29.97p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

23.98p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

**Image Area of Video is set to FULL during this recording mode.

***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

50.00Hz

[5.8K] 5760x4320 (4:3)

25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[5.7K] 5728x3024 (17:9)

50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[4.4K] 4352x3264 (4:3)

50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to PIXEL/PIXEL during this recording mode.

[C4K] 4096x2160

[4K] 3840x2160

100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**

50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

50.00p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*

50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

**An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

[FHD] 1920x1080

200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***

200.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***

200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***

100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***

100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***

100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***

50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

50.00p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)

50.00i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

25.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

**Image Area of Video is set to FULL during this recording mode.

***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

24.00Hz

[5.8K] 5760x4320 (4:3)

24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[5.7K] 5728x3024 (17:9)

48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[4.4K] 4352x3264 (4:3)

48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to PIXEL/PIXEL during this recording mode.

[C4K] 4096x2160

[4K] 3840x2160

120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**

24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

24.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

**An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

[FHD] 1920x1080

120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**

120.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**

120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**

24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

24.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

**An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

MP4 (*1) (*2)

59.94Hz

[4K] 3840x2160

59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)

29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)

29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)

23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

[FHD] 1920x1080

59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

50.00Hz

[4K] 3840x2160

50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)

25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)

25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

[FHD] 1920x1080

50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

24.00Hz

-

-

ProRes (*1) (*3)

59.94Hz

[5.7K] 5728x3024 (17:9)

29.97p, 4.2Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**

29.97p, 2.8Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**

29.97p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

29.97p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 3.3Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**

23.98p, 2.2Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**

23.98p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

**Software that supports Apple ProRes RAW is required to edit RAW video recorded.

**A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.

https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

[C4K] 4096x2160

59.94p, 4.2Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***

59.94p, 2.8Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***

59.94p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

59.94p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

29.97p, 2.1Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***

29.97p, 1.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***

29.97p, 972Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

29.97p, 648Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***

23.98p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***

23.98p, 778Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

**Image Area of Video is set to PIXEL/PIXEL during this recording mode.

***Software that supports Apple ProRes RAW is required to edit RAW video recorded.

***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.

https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

[FHD] 1920x1080

59.94p, 454Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

59.94p, 302Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

29.97p, 227Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

29.97p, 151Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 181Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

23.98p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

50.00Hz

[5.7K] 5728x3024 (17:9)

25.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**

25.00p, 2.3Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**

25.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

25.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

**Software that supports Apple ProRes RAW is required to edit RAW video recorded.

**A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.

https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

[C4K] 4096x2160

50.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***

50.00p, 2.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***

50.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

50.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

25.00p, 1.8Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***

25.00p, 1.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***

25.00p, 811Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

25.00p, 541Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

**Image Area of Video is set to PIXEL/PIXEL during this recording mode.

***Software that supports Apple ProRes RAW is required to edit RAW video recorded.

***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.

https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

[FHD] 1920x1080

50.00p, 378Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

50.00p, 252Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

25.00p, 189Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

25.00p, 126Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

24.00Hz

[5.7K] 5728x3024 (17:9)

24.00p, 3.3Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**

24.00p, 2.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**

24.00p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

24.00p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

**Software that supports Apple ProRes RAW is required to edit RAW video recorded.

**A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.

https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

[C4K] 4096x2160

24.00p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***

24.00p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***

24.00p, 779Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

24.00p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

**Image Area of Video is set to PIXEL/PIXEL during this recording mode.

***Software that supports Apple ProRes RAW is required to edit RAW video recorded.

***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.

https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

[FHD] 1920x1080

24.00p, 182Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*

24.00p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*

*Proxy video recording is available.

VARIABLE FRAME RATE

MOV (*1) (*2)

59.94Hz

[5.7K] 5728x3024 (17:9)

29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[C4K] 4096x2160

[4K] 3840x2160

59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)

29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)

23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

[FHD] 1920x1080

59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.

*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

50.00Hz

[5.7K] 5728x3024 (17:9)

25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[C4K] 4096x2160

[4K] 3840x2160

50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)

25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

[FHD] 1920x1080

50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 100fps when Image Area of Video is set to PIXEL/PIXEL.

*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

24.00Hz

[5.7K] 5728x3024 (17:9)

24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[C4K] 4096x2160

[4K] 3840x2160

24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**　

*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

**External USB-SSD recording.

[FHD] 1920x1080

24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*

24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.

*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

HDMI RAW DATA OUTPUT

Compatible external devices

Blackmagic Video Assist 5" 12G HDR, Blackmagic Video Assist 7" 12G HDR

*DaVinci Resolve or DaVinci Resolve Studio is required to play back and DaVinci Resolve Studio to edit Blackmagic RAW data.

*Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5” 12G HDR and Blackmagic Video Assist 7” 12G HDR.

*All functions may not be available depending on the situation.

*When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording.

ATOMOS devices "Ninja V" / "Ninja V+" / "Ninja" / "Ninja Ultra" / "Shogun" / "Shogun Ultra" / "Shogun Connect"

*All functions may not be available depending on the situation.

*Please check here for compatible firmware versions of external recorders.

https://panasonic.jp/support/global/cs/dsc/connect/index.html

*"Ninja V" "Ninja" "Shogun" does not support some RAW video data.

*Software that supports Apple ProRes RAW is required to edit RAW video recorded.

*A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.

https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

Rec quality

NTSC (59.94Hz)

[5.8K] 5760x4320 (4:3)

29.97p, 12-bit (LPCM)*

23.98p, 12-bit (LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[5.7K] 5728x3024 (17:9)

59.94p, 12-bit (LPCM)*

29.97p, 12-bit (LPCM)*

23.98p, 12-bit (LPCM)*

*Image Area of Video is set to FULL during this recording mode.

[4.4K] 4352x3264 (4:3)

59.94p, 12-bit (LPCM)*

*Image Area of Video is set to PIXEL/PIXEL during this recording mode.

[C4K] 4096x2160 (17:9)
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