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Hunt's Photo Specials

Specials

Formatt HiTech 67mm Aluminum Modular holder for 42mm Lens

SKU: #HT67FSAM42 $12.80

This adaptor enables the Hitech 67mm Aluminum Modular holder to attach to a 42mm lens.

Formatt HiTech 67mm Aluminum Modular holder for 41mm Lens

SKU: #HT67FSAM41 $12.80

This adaptor enables the Hitech 67mm Aluminum Modular holder to attach to a 41mm lens.

Formatt HiTech 67mm Aluminum Modular holder for 40.5mm Lens

SKU: #HT67FSAM405 $12.80

This adaptor enables the Hitech 67mm Aluminum Modular holder to attach to a 40.5mm lens.

Formatt HiTech 67mm Aluminum Modular holder for 39mm Lens

SKU: #HT67FSAM39 $12.80

This adaptor enables the Hitech 67mm Aluminum Modular holder to attach to a 39mm lens.

Formatt HiTech 67mm Aluminum Modular holder for 37mm Lens

SKU: #HT67FSAM37 $12.80

This adaptor enables the Hitech 67mm Aluminum Modular holder to attach to a 37mm lens.

Formatt HiTech 67mm Digital Camera Lens Filter

SKU: #HT67FSAM36 $12.80

This adaptor enables the Hitech 67mm Aluminum Modular holder to attach to a 36mm lens.

Canon Lens Cap E-67 II

SKU: #6316B001 $9.99

The Canon E-67 II Lens Cap is designed for 67mm Filter Diameter. It prevents dust & dirt and protects against scratches & bumps.

Kenko 67mm Zeta Clear Protective Filter (W)

SKU: #KZ67PROTEC $82.35

This is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest. However, constant use will protect your valued lenses from expensive front element damage which could be caused by dirt, knocks or scratches

Promaster 67mm Variable ND (2-8 stops)

SKU: #PRO9552 $59.95

The PROMASTER Variable Neutral Density filter allows total lighting control in virtually any environment. Completely variable from a factor of ND3 to ND400.

Tiffen 67MM Digital HT Graduated ND 0.6 Titanium Filter

SKU: #67HTCGND6 $119.99

Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.


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