Specials
The RF Prime series of cinema lenses from Canon has been designed for outstanding optical performance rendering crisp images with natural, rich contrast. This series includes seven lenses, ideal for shooting 8K as well as HDR, and represent Canon’s first cinema lenses to have a native RF mount. This lens series ushers in the RF lens communication to fully manual cinema glass, ideal for shooting with RF-mount cameras including third-party cameras that utilize a native RF mount.
The new CINE-SERVO 17-120mm builds upon the legacy of the company's CINE-SERVO line, with the added benefit of a native RF mount. It carries n the previous model's outstanding optical performance and mobility, while the additional pins of the RF mount increase communication with RF-mount cameras such as the EOS C400, empowering auto focus, distortion correction and metadata output for virtual productions.
Lens case to help protect your RF200-800mm F6.3-9 IS USM from scratches, dust, and more when not being used.
The Lens Holder LH-E1 supports the RF24-105mm F2.8 L IS USM Z when utilizing the lens in a rig system.
The RF35mm F1.4 L VCM is an entirely new L-series lens, targeting a wide range of still-image and video shooters, with a combination of very moderate wide-angle coverage, a fast f/1.4 maximum aperture, and excellent optical design. On a full frame camera this lens gives you a slightly wide-angle look which has for decades been used in photojournalism and street photography, and has become a very popular wedding shoot look.
UR1 International 4x6 Disney Pooh PVC raised Icon Photo Album